5 Lacanian Cinematic Clichés that Hollywood Loves – V

5. Men in Love Case in point: Friends with Benefits ‘There is no such thing as a sexual relationship’ is a slightly odd translation of Lacan’s well-known maxim Il n’y a pas de rapport sexuel. In the French, Lacan uses a word that is so commonly employed in English that it doesn’t really need translation […]

Continue Reading

5 Lacanian Cinematic Clichés that Hollywood Loves – IV

4. The Subject Supposed to Know and the ‘Magical Negro’ The ‘Magical Negro’ is a cinematic cliché in itself. The term was coined by director Spike Lee to denote a cinematic trope in which a black character has a special – often mystical – insight or ability, which is then imparted to a white character. […]

Continue Reading

5 Lacanian Cinematic Clichés that Hollywood Loves – III

3. Horror Movies and the Mirror Image Here’s a horror story in just two sentences: This sends a chill down most spines. The ideas that it plays on – the duplication of the image, that specular representations can’t be trusted, that one’s image is actually someone else’s – are ideas that Lacan explores again and […]

Continue Reading

5 Lacanian Cinematic Clichés that Hollywood Loves – II

2. The Male Exception Case in point: Zodiac, The Usual Suspects, all Bond films, almost all movies about unsolved murders committed by men, and virtually any superhero film of the last 10 years   For the second of the cinematic clichés in this series we need to invoke Lacan’s formulas for sexuation from Seminar XX: Immediately […]

Continue Reading

“The first great Lacanian text not to be written by Lacan himself” – Reading Miller’s ‘Suture’

Suture is a Lacanian concept, but not a concept of Lacan’s. According to Alain Badiou, Jacques-Alain Miller’s paper, ‘Suture (Elements of the Logic of the Signifier)’ was “the first great Lacanian text not to be written by Lacan himself” (Badiou, ‘A Contemporary Use of Frege’, in Number and Numbers, p.25). In simple terms, the achievement […]

Continue Reading