Amuse-Bouches I – The Yerodia Case

This is Abdoulaye Yerodia Ndombasi, helping Lacan into his car as he leaves his seminar in March, 1980. And this is Yerodia again, around the time of the international arrest warrant issued against him by Belgium, for serious violations of international humanitarian law under the Geneva Convention. This short article is about his story. But […]

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What’s so Unconscious about the Unconscious?

What does it mean to say that something is ‘unconscious’? The idea of the unconscious is the single biggest differentiator separating psychoanalysis from all other ‘psy-’ practices. Fidelity to a certain understanding of the nature and character of the unconscious is at the bedrock of psychoanalysis as a discipline. So it follows that a theory […]

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Pornography and the Paradoxes of Pleasure – On the ‘Identity of Perception’

“It’s one thing to see images of an experience you had, but it’s another thing to have an experience of the experience. It was the closest I’d ever come to feeling like I was there again.” – Evan Spiegel, founder of Snapchat (now Snap), announcing the launch of his company’s camera-embedded glasses. When we look […]

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5 Lacanian Cinematic Clichés that Hollywood Loves – V

5. Men in Love Case in point: Friends with Benefits ‘There is no such thing as a sexual relationship’ is a slightly odd translation of Lacan’s well-known maxim Il n’y a pas de rapport sexuel. In the French, Lacan uses a word that is so commonly employed in English that it doesn’t really need translation […]

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5 Lacanian Cinematic Clichés that Hollywood Loves – IV

4. The Subject Supposed to Know and the ‘Magical Negro’ The ‘Magical Negro’ is a cinematic cliché in itself. The term was coined by director Spike Lee to denote a cinematic trope in which a black character has a special – often mystical – insight or ability, which is then imparted to a white character. […]

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5 Lacanian Cinematic Clichés that Hollywood Loves – III

3. Horror Movies and the Mirror Image Here’s a horror story in just two sentences: This sends a chill down most spines. The ideas that it plays on – the duplication of the image, that specular representations can’t be trusted, that one’s image is actually someone else’s – are ideas that Lacan explores again and […]

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