For Part I click here The psychoanalyst as incarnation of object a The shift from Seminar X Around the time of Seminar X in 1963 there is a big shift in how Lacan interprets Freud’s major contribution on the question of the end of a psychoanalysis, Analysis Terminable and Interminable. By this time Lacan is no longer focused on the idea
Introductory Remarks The first question we have to confront is a terminological one: in what sense do we mean the ‘end of a psychoanalysis’? This phrase could refer simply to the final session, regardless of whether a ‘psychoanalysis proper’ has been undertaken prior to this moment. Or it could refer to the conclusion of an analytic work, the end
For English-speaking students of Lacan’s work it is unfortunate how little this book is known. This short post attempts to rectify that by giving a shout-out for Krutzen’s marvellous work and to encourage its dissemination amongst English-speakers. Firstly, to address the obvious problem: this is a French book and is written in French. But if you don’t speak French that hardly
We might begin by asking how it is that ‘acting out’ has come to be given the status of a concept in psychoanalysis? This is a valid question to start with because, if we turn to the Index of Stratchey’s Standard Edition of Freud’s complete work, it might surprise us that we find only two references to acting out listed
There is no shortage of former Freudians who have abandoned the field and turned their talents to writing testimonies against Freudianism or psychoanalysis in general. Often these are semi-autobiographical accounts of their own shift in allegiance and recount in personal terms the reasons for their abandonment of the discipline. Perhaps the most celebrated amongst these is Jeffrey Masson thanks to
This is the first of two articles looking at the theory of the mirror stage in Lacan’s work. This first part looks at the presentation of the mirror stage as we find it in the Ecrits, specifically in the 1949 paper, ‘The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience’. This is usually
The Lacanian maxims that psychoanalysis is a practice based on speech, and that the unconscious is structured like a language, are now so classical that they are almost boring. Elsewhere on this site these maxims are explored and their implications discussed. This post however is specifically about Lacan’s references to rhetoric. As Fink notes in his excellent Lacan to the Letter (p.72) Lacan’s
As I was looking up references to rhetoric in Lacan’s work for a post I am planning to write on the subject I stumbled upon this site: http://www.lacaninireland.com. For any English-speaker who has ever struggled to understand anything of Lacan’s work beyond the relatively meagre selection currently available in English, the name Cormac Gallagher will elicit immediate recognition. His unofficial
How would you answer the question ‘What is psychoanalysis?’ For anyone interested in psychoanalysis, having to explain concisely what psychoanalysis is and what it involves can elicit more than a little uncertainty and perhaps even some dread. If someone who knew something about psychoanalysis was asked this question in polite company how should they respond? First comes the problem that
The problem that this blog post seeks to address is quite simple: what is the rationale for the short session as practiced in Lacanian psychoanalysis? Or to put it in more brutal terms, why would someone pay for a psychoanalysis per session without knowing how much of the analyst’s time they were going to get? Whilst such frankness would clearly


